Gharbhar Darvalnara Sugandh
बऱ्याच वेळा बालसाहित्यिक आपल्या बालपणीच्या ऐवजावरच लिहीत राहतात. पण इथे लेखक सतत मुलांच्या सान्निध्यात असल्यामुळे बदलत्या पिढीप्रमाणे त्यांची कथा बदलत गेलेली दिसते.
यातील कथांमधून भाऊ-बहीण, मित्र-मैत्री यांसारख्या नात्यांचा गौरव केला आहे. तर, ‘गर्वाचे घर’मध्ये बालवयात नकळत निर्माण झालेल्या अहंकाराचा प्रभाव लेखक खेळीमेळीने दाखवून देतो. ‘माझ्यासाठी तीच विठाई’मध्ये मुलांमधला उपजत समजूतदारपणा दिसतो. ‘थिरकले चिमुकले पाऊल’मध्ये वारली नृत्याविषयीची आस्था निर्माण होईल असे केले आहे. प्राणिजीवन, भूतदया, निसर्गाकडे बघायचा निकोप दृष्टिकोन याकडेही लेखक चिमुकल्यांचे लक्ष वेधतो.
मराठी भाषेला अभिजात भाषेचा दर्जा मिळत असतानाच वाचनसंस्कृतीच्या ऱ्हासाविषयी सतत बोललं जात असतं. अत्यंत संवेदनशील अशा बालवयात ‘बालवाचक’ निर्माण करायचं महत्त्वाचं काम एकनाथ आव्हाडांच्या हातून होत आहे.
Many times, children’s authors write based on their own childhood experiences. However, in this case, since the author is constantly in the company of children, it is evident that his stories evolve according to the changing generations.
Through these stories, relationships such as brother-sister and friendship are celebrated. In “Garvache Ghar” (House of Pride), the author playfully depicts the influence of ego that unconsciously develops in childhood. In “Majhyasathi Tich Vithai” (She is the Vitai for Me), the innate understanding and empathy among children is highlighted. “Thirkale Chimukale Paau” (Tiny Feet Danced) fosters an appreciation for Warli dance.
The author also draws children’s attention to animal life, compassion for living beings, and a wholesome perspective towards nature.
While the Marathi language is gaining recognition as a refined and prestigious language, concerns about the decline of reading culture are frequently raised. In such a sensitive stage of childhood, the important task of creating young readers is being accomplished through the works of Eknath Avhad.
Book Format
बऱ्याच वेळा बालसाहित्यिक आपल्या बालपणीच्या ऐवजावरच लिहीत राहतात. पण इथे लेखक सतत मुलांच्या सान्निध्यात असल्यामुळे बदलत्या पिढीप्रमाणे त्यांची कथा बदलत गेलेली दिसते.
यातील कथांमधून भाऊ-बहीण, मित्र-मैत्री यांसारख्या नात्यांचा गौरव केला आहे. तर, ‘गर्वाचे घर’मध्ये बालवयात नकळत निर्माण झालेल्या अहंकाराचा प्रभाव लेखक खेळीमेळीने दाखवून देतो. ‘माझ्यासाठी तीच विठाई’मध्ये मुलांमधला उपजत समजूतदारपणा दिसतो. ‘थिरकले चिमुकले पाऊल’मध्ये वारली नृत्याविषयीची आस्था निर्माण होईल असे केले आहे. प्राणिजीवन, भूतदया, निसर्गाकडे बघायचा निकोप दृष्टिकोन याकडेही लेखक चिमुकल्यांचे लक्ष वेधतो.
मराठी भाषेला अभिजात भाषेचा दर्जा मिळत असतानाच वाचनसंस्कृतीच्या ऱ्हासाविषयी सतत बोललं जात असतं. अत्यंत संवेदनशील अशा बालवयात ‘बालवाचक’ निर्माण करायचं महत्त्वाचं काम एकनाथ आव्हाडांच्या हातून होत आहे.
Many times, children’s authors write based on their own childhood experiences. However, in this case, since the author is constantly in the company of children, it is evident that his stories evolve according to the changing generations.
Through these stories, relationships such as brother-sister and friendship are celebrated. In “Garvache Ghar” (House of Pride), the author playfully depicts the influence of ego that unconsciously develops in childhood. In “Majhyasathi Tich Vithai” (She is the Vitai for Me), the innate understanding and empathy among children is highlighted. “Thirkale Chimukale Paau” (Tiny Feet Danced) fosters an appreciation for Warli dance.
The author also draws children’s attention to animal life, compassion for living beings, and a wholesome perspective towards nature.
While the Marathi language is gaining recognition as a refined and prestigious language, concerns about the decline of reading culture are frequently raised. In such a sensitive stage of childhood, the important task of creating young readers is being accomplished through the works of Eknath Avhad.
Sakal Prakashan
Eknath Avhad
Marathi
84
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